Fritz Lang’s The Blue Gardenia feels like film noir poured into a Hays Code corset…
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I recently made my way through all the Texas Chainsaw Massacre films, an emotional journey…
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For years, James Mangold’s has been my go-to example for a film where the premise…
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Brad Furman’s The Lincoln Lawyer feels like–and in fact, later became–a TV show. Specifically, it…
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The signature image of Kaneto Shindo’s Onibaba is the one I’ve used for this article:…
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Devil in a Blue Dress is now on Tubi, allowing me to finish off my…
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Movies often tackle issues of memory and subjective point-of-view, but few make it feel as…
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Larry Cohen’s 1972 Bone is incisive, funny, moving, and brutal. It’s the kind of shameless…
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Let’s talk about our beliefs, and what we can learn about them. We believe nature…
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Miss Congeniality is, well, shockingly congenial. Visually, it’s nothing to write home about, and the…
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