Resolution, The Endless, Spring–Justin Benson and Aaron Moorhead have been behind some of the decade’s…
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Michael Crichton’s sci-fi techno-thriller Looker is an odd beast. It’s a 1981 film that makes…
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Shiva Sanjari’s one-hour documentary Here the Seats Are Vacant focuses on Shahrzad, an Iranian actress…
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Almost a one-man show, Vasilis Katsoupis’s Inside stars Willem Dafoe as Nemo, a meditative art…
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Effective, eerie, and original, André Øvredal’s The Autopsy of Jane Doe deserves more attention. In…
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Lizzie Borden’s sharp, funny, and frank Working Girls is a great testament to the value…
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The Girl from Rawblood is a Gothic. Boy, is it ever. That stock bit of…
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Jim Jarmusch’s Night on Earth, from 1991, uses the story of five cab rides in…
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Delmer Daves’s 1947 noir Dark Passage is like a complex lucid dream. It’s both stylish…
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Katt Shea’s sultry, over-the-top Poison Ivy, a 1992 erotic thriller, begins with teenage bad girl…
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