I always appreciate films that translate the noir sensibility to times, places, and situations that…
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Bride of Frankenstein is a considerable step up from its predecessor. While Frankenstein plodded–or shambled,…
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Christine is not great, but it is tremendously fun. It sort of can’t help being…
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I’m not sure how to classify Dan Berk and Robert Olsen’s Villains. I watched it…
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Damian McCarthy’s Oddity is a clever, sleek, creepy film. Looking back on it and knowing…
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It’s October, which means that for me, it’s the most wonderful time of the year.…
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There is something so satisfyingly lurid about Rose Glass’s Love Lies Bleeding. It’s bold. In…
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There are all kinds of ways to make fun of Katt Shea’s The Rage: Carrie…
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The original Playhouse 90 broadcast of Requiem for a Heavyweight gives us the swan song…
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Ousmane Sembène’s 1968 film Mandabi is an uncomfortable, queasy pleasure. The film’s action kicks off…
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