Browse: Home / The Friday Article Roundup Serves Leftovers

Menu

Skip to content
  • Home
  • Who We Are
  • About
  • Privacy
  • Contact Us
  • Login

The-SoluteLogo

A Film Site By Lovers of Film

Menu

Skip to content
  • Features
  • Reviews
  • Long Reviews
  • News
  • Articles and Opinions
  • Other Media
  • Year of the Month: EUROPA '51
  • Lunch Links: MALARIA
  • Eighteen Movie And TV Quotes You Have to Shout--Number Nine Will Have You Dancing!
  • Year of the Month: DON'T BOTHER TO KNOCK
  • Camera Obscura: THE G-STRING MURDERS/LADY OF BURLESQUE
1:00am=listicle time

The Friday Article Roundup Serves Leftovers

Posted By The Ploughman on November 27, 2020 in News | Leave a response

The FAR reheats some classic movies scenes, settings, and trivia, thinks about the currents state of television and muses on an old song. Grab your plate and take your fill.

Thanks to Casper for contributing this week, the big slice of pie is hers. Send articles throughout the next week to ploughmanplods [at] gmail, post articles from the past week below for discussion, and have a Happy Friday!


For Polygon, Jake Kring–Schreifels reveals the work and preparation that went into turning the poker scene in Casino Royale from a dull read on the page into gripping drama on the screen:

Campbell cracked it. The roughly 30-minute casino sequence plays as a masterful microcosm of the movie — it has its own narrative arc, interspersed with punctuations of combat and death-defying shocks, and shows off Bond’s mental prowess and mortality. More importantly, it proved Craig capable of daredevil thrills and martini-sipping refinement, and leveraged his skills into one of the best depictions of poker in movie history. “I think the sequence was pretty convincing,” Campbell says. “What you realize is, it’s not just the card games — it’s the stakes. It’s also two guys eye-fucking one another, basically. That was the secret.”

Crooked Marquee’s Emmy Potter compares and contrasts the similarly set but differently gendered Dead Poet’s Society and Mona Lisa Smile:

If you attended high school at any point in the last 30 years, your English teacher probably wheeled one of those boxy TVs to the front of the classroom and announced “Today is going to be a little different” before hitting play on Dead Poets Society, Peter Weir’s 1989 drama about an unconventional teacher at an elite, all-male prep school in 1950s New England, who encourages his students to “seize the day” and not fall prey to the dangers of conformity. It’s less likely your English teacher decided to show you Mona Lisa Smile, Mike Newell’s 2003 drama about an unconventional art history professor at the prestigious, all-female Wellesley College in 1950s New England, who encourages her students to “have it all” and not fall prey to the dangers of conformity. The two films are similar enough to raise eyebrows, yet it’s the one centered on men that garnered more acclaim and earned a permanent spot on your high school English syllabus, while ironically, the one centered on women has become semi-forgotten with time.

At Vulture, Kathryn VanArendonk takes on the struggle of network televisions to portray (or ignore) the pandemic:

I’m still not sure how to feel about what’s happening on network TV this fall. My anxiety over the past year has totally reshaped my internal system of alarms; my brain registers masks on the faces of strangers in the same way I once registered characters obviously driving around in fake cars, totally ignoring the road. I’m instantly distracted, and whatever fictional suspense I was living in totally collapses. It would be lovely to turn off the alarm in my mind that shrieks at the sight of all these beautiful TV people striding around their workplaces with their nakedly exposed mucus membranes. I can’t; it’s all I can see.

Courtesy Constance Grady and Vox – the true story of Arlo Guthrie’s rambling song “Alice’s Restaurant”:

In my own hometown of Philadelphia, WXPN’s Helen Leicht plays it every year at noon, and in non-pandemic years my family gathers around the radio like we’re in an old-timey Norman Rockwell painting, ripping apart bread for the stuffing and singing, “Had a Thanksgiving dinner that COULDN’T BE BEAT!” Guthrie’s “Alice’s Restaurant” was originally released in 1967 as “Alice’s Restaurant Massacree,” and it’s only nominally about either Thanksgiving, Alice, or her restaurant.

We’re all tired, so let’s just sack out on the couch and learn some facts about Planes, Trains and Automobiles from Mental Floss:

In John Hughes: A Life in Film, Kirk Honeycutt wrote that one actor, who played a truck driver, was only supposed to have one line and work for one day. Hughes chose to keep him on standby. The actor ended up working enough days while the crew waited for the snow to come that he was able to make a down payment on a house. It’s very possible this was Troy Evan’s, who was uncredited, as the shy truck driver in the movie. He went on to appear, credited, on ER for the show’s final five seasons as Frank Martin.

Posted in News | Tagged Arlo Guthrie, Casino Royale, Coronavirus, Dead Poet’s Society, James Bond, Mona Lisa Smile, Planes Trains and Automobiles

About the Author

gemofpurestray@gmail.com'

The Ploughman

Related Posts

Nowhere Man: TENET (2020)→

May we say, mwa-hahahaha?The Friday Article Roundup Turns Evil→

The Friday Article Roundup Ruminates on the Past→

A new generation of students learns to properly design their sets and lighting around the needs of the branding in the frame.Rejected Coca-Cola Regal Filmmakers Reckon with Self-Isolation→

  • Comments
  • Popular
  • Most Recent
  • j*****@yahoo.com'
    mr_apollo on Year of the Month: Mon OncleWonderful piece, Sam. It's made…
  • j*****@yahoo.com'
    mr_apollo on Year of the Month: Mon OncleFellow heretic here. I've never…
  • n***********@gmail.com'
    Ruck Cohlchez on Film on the Internet: AN AMERICAN CRIMEI wouldn't have called it…
  • j***********@gmail.com'
    Son of Griff on LIFE ITSELFGlad to hear back from…
  • n*********@gmail.com'
    Jake Gittes on Film on the Internet: AN AMERICAN CRIMEThis is the single most…
  • “The End” of SAVAGES

    25382 views / Posted November 10, 2014
  • What the fuck did I just watch? SPHERE

    22696 views / Posted March 19, 2015
  • Scenic Routes: SHOWGIRLS (1995)

    17380 views / Posted November 20, 2014
  • The Untalented Mr. Ripley: The Craft of Standup Comedy and the Non-Comedy of TOM MYERS

    12457 views / Posted June 26, 2018
  • THE SHIELD’s Final Episodes: “Possible Kill Screen”/”Family Meeting”

    8175 views / Posted December 2, 2014
  • Year of the Month: EUROPA ’51

    April 22, 2021 / Sam "Burgundy Suit" Scott
  • This is how The Hateful Eight should have been done.

    Lunch Links: MALARIA

    April 22, 2021 / The Ploughman
  • Eighteen Movie And TV Quotes You Have to Shout–Number Nine Will Have You Dancing!

    April 21, 2021 / Gillianren
  • Year of the Month: DON’T BOTHER TO KNOCK

    April 21, 2021 / ZoeZ
  • Camera Obscura: THE G-STRING MURDERS/LADY OF BURLESQUE

    April 20, 2021 / Gillianren

Last Tweets

  • Year of the Month: EUROPA ’51 - https://t.co/G6NAWJNkYw, 3 hours ago
  • Lunch Links! A cowboy is sent to assassinate death himself in Edson Oda's short MALARIA. https://t.co/ntcrJ26n2r, 9 hours ago
  • Eighteen Movie And TV Quotes You Have to Shout–Number Nine Will Have You Dancing! - https://t.co/CWqyG1WdOk, Apr 21

©2014 - 2016 The-Solute | Hosted, Developed and Maintained by Bellingham WP LogoBellinghamWP.com.

Menu

  • Home
  • Who We Are
  • About
  • Privacy
  • Contact Us
  • Login
Do NOT follow this link or you will be banned from the site!