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Great actresses in a powerful play

Celebrating the Living: Sanaa Lathan

Posted By Gillianren on February 4, 2024 in Features | Leave a response

A lot of people in Hollywood follow in their parents’ footsteps. This isn’t just the Coppolas or the Hustons or any other pop culture dynasty you can think of. This is “my father was a second unit director, and now I’m a script supervisor.” This honestly isn’t surprising to me. There are plenty of people whose parents are lawyers who become lawyers, people whose parents are in the military who join the military. There are counterexamples—both in “the real world” and in Hollywood—but it isn’t just because big names are able to get their kids jobs as part of their contracts, not that I’m accusing anyone of doing that, or just hire their kids.

Sanaa Lathan’s mother is an actress and her father is a director. They were both apparently out of the house quite a lot, and she says she was one of the many latchkey kids born in the ‘70s. (As was I, as were many of my friends.) It was difficult for her, but she still went into the family business. It’s worth noting that, while she and her father have a credit in common on TV, he didn’t direct the episodes she appeared on. He clearly wasn’t responsible for her casting, and her mother has so few credits that she doesn’t even have a Wikipedia page and therefore didn’t have the pull even if she and her daughter did have credits in common.

Here’s where I admit that I haven’t seen much of her work. I’ve seen and disliked a few episodes of Family Guy and therefore have not watched The Cleveland Show. I haven’t gotten around to Harley Quinn, though I suspect she’s on the schedule today as part of my quest to cover as many Catwomen as possible. Some of her movies are obscure. Some of them sound bad. Some of them just don’t seem like my thing. Regardless, she’s clearly working very hard and is seen to be doing solid enough work to keep getting hired.

I did, on the other hand, see the adaptation of A Raisin in the Sun in which she appeared. It was made into a TV version, which almost certainly expands the action from the Broadway revival. I didn’t like it, but she is not the reason I didn’t like it. It was more that the music was grating, the expansion was unnecessary, and Sean Combs is no Sidney Poitier. (As I said in my review, who is?) However, my problem was not with her—the only performance in it that grated was my mind’s constant comparison between Sean Combs and Sidney Poitier. She’s nowhere near old enough, but in twenty years, it would be interesting to see her as Lena in the play.

Not all media is made with me in mind, and That’s Okay. It’s no shame on Sanaa Lathan that I didn’t want to see Alien Vs. Predator. If Blade ever gets made, they could give her a role in that as a connection with the original movie. But if she keeps doing movies and TV where she gives good performances in things that don’t interest me, well, that’s not a judgement on either of us. She’s doing solid work in the family business, just like so many other people.

Writing is not my family business; help convince my mother that it’s worth my time by contributing to my Patreon or Ko-fi!

Posted in Features | Tagged celebrate the living, Sanaa Lathan, tribute

About the Author

gillianmadeira@hotmail.com'

Gillianren

Gillianren is a forty-something bipolar woman living in the Pacific Northwest after growing up in Los Angeles County. She and her boyfriend have one son and one daughter, and she gave a daughter up for adoption. She fills her days by watching her local library system’s DVD collection in alphabetical order, watching everything that looks interesting. She particularly enjoys pre-Code films, blaxploitation, and live-action Disney movies of the ’60s and ’70s. She has a Patreon account at https://www.patreon.com/gillianren

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