On Revisiting the Radical Emotional Honesty of ANNE OF GREEN GABLES: A Women’s+ Canon Article by Carrie Amanda
Until very recently, Kevin Sullivan’s 1985 Anne of Green Gables held the distinction of being…
NINE TO FIVE Is Nothing Like You Imagine: a Women’s+ Canon Piece by Joey Lee
I first stumbled across Nine to Five when I was a tween staying at a…
Finding Feminism in Soviet Cinema: A Women’s+ Canon Article by Anna Elizabeth
It was during my freshman year of college that I first heard of International Women’s…
“Why Are You Watching That?”: True Crime and the Power of Hope, a Women’s+ Canon Article by Bridgett Taylor
I have a two-floor house, and sometimes, when I’m in the middle of yet another…
My So-Called Memories: A Women’s+ Canon Article
If the near quarter-century that has passed since My So-Called Life originally aired and I…
Ramona Quimby: A Women’s+ Canon Article
To me, the strongest evidence of “girls’ stories are for girls; boys’ stories are universal”…
The Women’s+ Canon: NINOTCHKA
It’s fascinating to me that there’s actually a Hitler joke in Ninotchka. Toward the beginning…
Legacy, a Woman’s+ Canon article by Anna Elizabeth
The idea of a Women’s+ Canon is pretty much entirely foreign to me, I must…
Launching Into the Women’s+ Canon
Last July, I wrote an article about the Women’s Canon. This is a collection of…
How Sarah Polley Gave Her Father Dignity by Erasing Herself from TAKE THIS WALTZ, by Joey Lee for The Women’s+ Canon
I saw Stories We Tell and Take This Waltz in the opposite order as viewers…