The True/False Festival Experience
I’ve been fortunate to attend a fair number of film festivals, partly for professional reasons,…
The Ploughman
Articles:
Taco Break: Higher Concepts
Sliding Doors is an unavoidable cultural phenomenon. You know what it’s about – Gwenyth Paltrow…
What the F? Babalugats on SOLARIS
Since Cinemascore began operation in 1979 only 19 films have received the lowest score. In…
Lunch Links: OFFICE SPACE
As Ruck Cohlchez pointed out, this week marked the 20th anniversary of Mike Judge’s flop-turned-touchstone Office…
2018 Double Features: THE HATE U GRADE
Ploughman here. Miller has been making some intriguing double features out of films from the…
Miller’s 2018 Double Features: IF FIRST MAN COULD TALK
“I’m in a glass cage of emotion” — Ron Burgandy Movies talk to each other.…
Between Two Worlds with CARNIVAL OF SOULS
Memorable movies emerge when their unique limitations become assets. There’s Val Lewton’s low budgets, Steven…
Miller’s 2018 Double Features: THE NIGHT COMES FOR PADDINGTON
Movies talk to each other. What did the films of 2018 have to say? This…
What the F? Babalugats on I KNOW WHO KILLED ME
Since Cinemascore began operation in 1979 only 19 films have received the lowest score. In…
Miller’s 2018 Double Features: CRAZY RICH PANTHER
Movies talk to each other. What did the films of 2018 have to say? This…