Nicholas Ray’s Born to Be Bad is a great noir-inflected women’s picture, but in culling…
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Sometimes I have an itch that can only be scratched by a splashy ensemble disaster…
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Shudder’s Joe Bob Briggs-hosted Drive-In series continues to bear good fruit by introducing me to…
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Séance on a Wet Afternoon is a moody, solemn film. Jazzed up a little, modernized,…
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Abducted in Plain Sight (originally titled Forever ‘B,’ and renamed to sound more like a…
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The Blackcoat’s Daughter is a moody, melancholy possession movie directed by Oz Perkins (I Am…
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An American Crime is a frustrating film: the more I think about it, the more…
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Lifetime likes its titles openly commercial, a series of tropes stacked on top of each…
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Adrienne Shelly’s Waitress is an incongruously cheerful, hopeful film about domestic violence, emotional abuse, poverty,…
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As I write this, I’ve just returned from seeing Jordan Peele’s Us. It was an…
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