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Art House Showcase: Seattle

Posted By Julius Kassendorf on September 19, 2014 in News | Leave a response

Week of Sep 19

Northwest Film Forum

  • Monday is the annual Members meeting
  • Thursday is opening night of the Local Sightings film festival

The Grand Illusion

  • This week I Dream of Wires opens, with Friday night (tonight) featuring a post-movie performance by Kaori Suzuki and Chris Davis accompanied by Nick Bartoletti

SIFF at Uptown

  • The Drop continues
  • This is Where I Leave You opens
  • Women in Cinema festival happens this weekend with a lot of films to be found at this link. Special note directors or producers will be in attendance at Misconception, Kelly & Cal, Stray Dog, and The Last Season
  • Sagrada: Mystery of Creation continues
  • Tuesday, David Bowie Is… screens
  • Wednesday is a one-time screening of My America, various monologues directed by Hal Hartley

SIFF at Uptown

  • Saturday, at the Film Center, The Big Lebowski is getting a six-hour dissection
  • Saturday and Sunday, Memphis screens
  • Monday, First Draft is a reading of a first draft screenplay with commentary
  • Monday also brings a screening of Night Moves
  • Tuesday, Film Scoring does a 3 hour examination of Chinatown

OK, I know I shouldn’t kvetch with this embarassment of riches, but I want to go to The Big Lebowski thing and go see some of the Women in Cinema screenings. I want to go to First Draft and also go to the NWFF meeting. Why does everything have to happen at once?

Posted in News | Tagged Art, Arthouse Showcase, Grand Illusion Cinema, Northwest Film Forum, NWFF, Seattle, Seattle International Film Festival, SIFF

About the Author

Julius Kassendorf

Julius Kassendorf is the founder of The-Solute, and previously founded The Other FIlms and Project Runaways in 2013. There, he dabbled in form within reviews to better textualize thought processes about the medium of film.

Previously, he has blogged at other, now-defunct, websites that you probably haven’t heard of, and had a boyfriend in Canada for many years. Julius resides in Seattle, where he enjoys the full life of the Seattle Film Community.

Julius’ commanding rule about film: Don’t Be Common. He believes the worst thing in the world is for a film to be like every other film, with a secondary crime of being a film with little to no ambition.

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