Mamma Mia! Here We Go Again Exceedingly Delivers On What It Needed To Get Right: Eccentric And Fun Musical Numbers
The most important question one must ask when making a follow-up to 2008’s musical movie…
Skyscraper Is A Forgettable & Generic Die Hard Knock-Off
Skyscraper is very obviously being made in the mold of the iconic 1988 movie Die…
THREE IDENTICAL STRANGERS
Three Identical Strangers is a very entertaining documentary that supplies some food for thought. The conclusions…
Guest Review: Watching Sicario: Day of the Soldado South of the Border by Alberto VillaescusaRico
There’s a lot of Sicario: Day of the Soldado that feels like a paranoid fantasy.…
Tag Is It, With It Being “A Middle-of-The-Road Comedy”
For over 30 years, five childhood friends have managed to stick around in each other’s…
Year of the Month: Lights And Music Are On My Mind: Cut Copy, IN GHOST COLOURS
I fear this might not be an album that lends itself to deep analysis, but…
FIRST REFORMED
Paul Schrader’s First Reformed feels like the movie the great director/writer/critic’s whole career has been…
AMERICAN ANIMALS
American Animals, written and directed by Bart Layton, tells the true story of four Kentucky…
Film on the Disc: LADY MACBETH
Lady Macbeth is nineteenth-century noir rather than tragedy—in-and-out at ninety minutes and with a well-evoked…
Alberto VillaescusaRico on Solo, Rogue One and How a Smaller Story Makes a Larger Universe
(Spoilers for Solo and Rogue One) Following Disney’s purchase of Lucasfilm, the company responsible for…