Harrison Ford is the cipher at the heart of Alan J. Pakula’s Presumed Innocent, a…
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The Five-Year Engagement is technically a romantic comedy, but–like a lot of Apatow-adjacent projects–it’s more…
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John Dahl’s pacey, insightful Rounders is about a young man, but it has the weight…
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Ulee’s Gold–and there’s an almost daringly noncommercial title for you–is intimate but intense. It zooms…
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Batman Begins is the film in which Batman begins, and you know what? It takes…
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Traditional mysteries are always embedded in their settings: the layout of that country house matters,…
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The actual case in Klute–its ostensible excuse for existing–is slim: abruptly presented and largely backgrounded…
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If you’re like me, one of the things you’ve missed most during the pandemic is…
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Lovable slackers Bill Preston, Esq. and Ted “Theodore” Logan return, get killed by their evil…
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McKenzie Woodward’s Mr. Weekend is a great example of how to do stripped-down, stylish filmmaking…
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