Year of the Month: Miller on THE FRIGHTENERS and LEPRECHAUN 4: IN SPACE
The biggest horror hit in 1996 was Scream, which revived Wes Craven’s career, and launched…
Year Of The Month: Miller on ELECTRICLARRYLAND
It took me three and a half years to get from a mall in Western…
Year Of The Month: Ghostbusters of Fire by Miller
Cities existing on the edge of reality and unreality, grunge and gloss side by side.…
Year of the Month: Miller on GONE FISHIN’
It’s 1984, the year of clocks striking 13 and loving Big Brother, the year of…
Year Of The Month: Miller on FIVE MINUTES TO LIVE
Johnny Cash has been everywhere, man. Of travel he’s had his share, man. But the…
Taco Break: Largest Friends (by Miller)
Lrrr, an enormous and dangerous alien from the distant planet Omnicron Persei 8, is confused.…
Year of the Month: Miller on THE CAPTURE
The Capture is a divided movie about a divided man. John Sturges films Niven Busch’s…
Year of the Month: TREMORS, or 5 Things B-Movie Makers Need to Remember by Miller
Tremors was released to theaters in January 1990, where it made a profit but largely…
THE BEACH HOUSE (2019) reviewed by Miller
Horror is about existing as a human. Existing as we do, with imagination and logic,…
Miller on the Weirdos of HOME MOVIES
The first episode of Home Movies I ever saw was its last. I was sitting…