Attention Must Be Paid: Chantal Akerman
I feel a little guilty about writing about Chantal Akerman for Pride. You see, she…
Disney Byways: “The Pied Piper”
One of these days, I’ll get around to a full-length article about the use of…
Year of the Month: Persia on CAPTAIN BLOOD
It almost sounds like a “walk into a bar” joke: three actors — a swashbuckler,…
Camera Obscura: JANE OF LANTERN HILL/LANTERN HILL
For once, I’m honestly not sure if I encountered the book or the movie (made-for-TV,…
The Unnecessary Immorality of Puzzlebox Storytelling
One of my favourite little things about the 2019 film Parasite is the reveal that…
Celebrating the Living: Billy Dee Williams
Apparently, when he used both “he” and “she” pronouns to describe himself in an interview,…
Attention Must Be Paid: Richard Hunt
My mom quilts. One year, for Christmas, I gave her a book on Muppet quilts;…
Disney Byways: LGBT Issues
It’s true that the corporatization of Pride is a complicated subject regardless of the company.…
Year of the Month: Wykstrad on THE 39 STEPS
“I know what it is to feel lonely and helpless and to have the whole…
Pictures of a Revolution: Introduction and 2001
The Introduction The year is 1994. Michael Eisner has pushed Jeffrey Katzenberg out of his…